ABOUT

Largely informed by digitally-based art forms, Bhullar uses art-making as an introspective tool that explores various internal dispositions concerning identity and perception, including contemplations around the existential and political implications of images. As a queer and biracial individual, they are interested in analyzing cultural binaries and norms, where they use moving images and sound as a means to express the abstractions and tensions within these themes. Their inquiries often manifest as collages of varying forms, audiovisual works, and multimedia installations.

Recent exhibition and screening history includes Gallery Gachet, 2024; What Lab, 2024; The James Black Gallery, 2023; XINEMA, 2023; Audain Gallery, 2023; The Polygon Gallery, 2022; Massy Arts Gallery, 2022; UNIT/PITT, 2022; Surrey Art Gallery, 2022; and The Small File Media Festival, 2020. Current projects include video work on display with Gallery Gachet’s BIPOC New Media Screen, and a hybrid digital-physical work for an upcoming exhibition with Dirty Dishes Collective at Whippersnapper Gallery, Toronto, ON, in 2025. Bhullar holds a BFA in Visual Art with a Minor in Psychology from the School of Contemporary Art at Simon Fraser University, and upon graduating (2023) was recipient of the CAG Prize and the Dr. Tashakkor Undergraduate Award in Contemporary Arts.

F-O-R-M Festival Public Screens [A Sequence of Moving Pixels, 06:57],
        Mount Pleasant Grunt Gallery Screen, 2023

XINEMA's One Year Cine-Celebration [A Digital Intervention, 04:59], 2023

Unsent Letters: to Whom It May Concern (dir. Vanessa Lefan), What Lab, 2023; Closing Night Performance Documentation by Claine Lamb